Wednesday, September 12, 2012

DIG


Open:

Rural Outskirts - gravel road

Fading In from Black, insects crescendo their buzzing symphony. In the distance is a low rumbling of tires rolling over gravel, a set of headlights appear over a hill, the rumbling gets louder. As the car draws near, the headlights cutout and the car turns off the road into a clearing, moonlight silhouettes the car, a luxury model with plenty of trunk space. the car stops, the engine continues to rumble for a moment before cutting out. The radio inside is still on, a comedy bit finishes and there a muffled roar of a crowd's ovation. The two front doors open, immediately ending the sound through the speakers. A joyous laugh is heard from GIO, the driver. The passenger, CLARK, gets out first and gets two shovels from the back seat. GIO gets out:

G: You can't tell me that shit ain't funny

C: Crass maybe 
     Funny no

The two take in the clearing, walking it, their footsteps' soft percussion ends with the sound of a shovel breaking dirt.

C: This good

G: Why so serious cousin I thought you'd dig Deuce's set

C: It's no different from a thousand other comedians
     Rough language and misogyny big fuckin' deal

G: No need to genre-lize and get all big wordy

C: Let's just do this

Clark strikes the ground with shovel, picking up dirt and tossing it to the side.

C: Get it over with

For the next few moments he is the only one digging, medium paced and determined.

G: Well, Deuce sells out The Garden, so he must not be funny at all

C: Just dig Gio

Gio begins to dig, at first the shoveling is incongruous, a moment passes and the two find a rhythm.

G: So guess who I fucked last night

C: Your mother

G: That was two nights ago 
     No really guess

Gio stops digging

C: Dig

G: Not until you guess smartass

Clark's digging accelerates.

G: Just guess a name

C: Sophie Weinstein

G: You're disgusting
     Her only holy hole is behind the teeth (laughs)
     Come on you know it's true

C: Don't care Gio

Gio begins digging, the two shovels are offset but soon find a rhythm

G: you know what your fucking problem is
     You need to get laid, get your dick wet

C: Oh, that's my problem, is it

G: Yes which is why I brought it up, 
     So I fucked Marie Batone, you know the twin
     Well she told me her sister, Gloria, has a thing for you
     Like first date fucking type thing
     You should hit that before it's too late
     Her sister was just ripe, Glorious 
     and she didn't make me wrap it

C: Well, the sooner we dig this fucking hole
     The sooner I can dig into the same family you're fucking
     Right

Gio's shovel slows

G: Yeah

The digging ensues off rhythm for a moment

G: Man, I'm starving

C: Still
     You just imbibed yourself on that burger

G: Yeah
     I just know once we're done here I'll need some grub

C: Processed meat Gio

G: Huh

Gio finds the rhythm again, with his shovel

C: Processed meat
     it isn't filling for long
     Terrible for your health

G: It's not that bad

C: The machinery taints it

G: The machinery makes it taste good

C: Your Funeral

Gio's digging slows

G: I'm young

C: Me too

A moment of digging. Thunder rolls in the distance.

C: Fuck
     This is gonna get messy
     Dig faster Gio maybe we can beat it

G: I don't think so

Clark stops shoveling.

C: Do we have boots in the trunk

G: Salvatore didn't say there were. 

C: You're cleaning the mats then

Clark continues digging, slightly faster than before. Gio keeps his own pace.

G: What you can't clean up your own damn mess

C: I had to clean the whole fucking car last time, remember that paddy fuck and his whore

G: Fine
     I guess I'll be cleaning shit up
     That'll give you time to go and sex up Gloria

C: Would you stop with this dick cupid shtick

G: I'm just trying to help you out cousin

Gio's digging finds rhythm with Clark's

C: My name is Clark

G: I know cousin
     You need to lighten up

C: And you need to fuck off

Clark stops digging, pulls out a flask and swigs.

C: Want a sip

G: Yeah

Gio stops shoveling and swigs. The cricket's symphony has become very dense.

G: Fuck man You and your gin
     When you gonna switch to a man's liquor

Clark begins digging again

C: Maybe when you pull some weight, in this hole
     Get to digging

G: What's your rush cousin
     The rain is gonna come before we finish anyways

After taking a second long gulp, Gio digs slowly.

C: Since when do you know everything

G: Since always cousin  

C: Do you know who's in the Trunk

G: No

Gio's digging accelerates

G: I went to Salvatore's garage, got the keys from him and left to pick you up

C: Salvatore didn't say anything

G: He didn't say much
     He did tell me to tell you not to make such a fucking mess this time

C: Fuck you

G: His words not mine.

Gio slows down and finds the rhythm again

C: I will be so happy when I never have to dig a fucking hole again

G: That'll be the day

C: Someday soon

G: You think so

C: I got a feeling in my gut

G: And if it doesn't happen soon

C: I'll leave

G: You know you can't just leave your family cousin

C: My name is Clark
     I'm not your cousin
     It's not my family

G: It is your family cousin

C: What if it wasn't your blood
     Making you come out to these bumfuck outskirts
     To bury people who gave your "family" trouble

G: I don't have to worry about that

C: Suit yourself

Gio stops digging

G: What the fuck are you getting at cousin

C: Nothing
     Just ranting

G: You're awfully strange today

C: I'm not the only one

G: You mean Me

C: I mean Franco.

Thunder Claps. The Storm is approaching

G: What about papa Franco?

C: I saw him today. I went to tell him that I want out, if it could be arranged

G: What did he say?

C: He said it could.
     Not in so few words.
     He talked the best he could, I got the gist of what he was saying, but I dunno.
     Didn't look well, kept talking about strange shit

G: What did he say?

C: He said he was surrounded by ghosts.
     Regrets
     He spoke quite a bit about Gabriel
     At first he thought I was Gabriel

G: Gabriel's been dead longer than we've been alive

C: I know
     Franco told me Salvatore and Benito still haven't stopped competing to replace him as the favorite
     He's sick of it
     I think he's losing it

G: Well one of them have got to run the Shipping Business when he's gone

C: Of course Gio
     Dig

G: I just felt a drop

C: Dig fast

Gio begins to dig

G: We're not going to beat it.

C: Your optimism knows no end
     You really must want to clean this mess

Rain begins to fall

G: We're already in the mess.

C: This is deep enough for one

G: It's for two

C: You didn't say there were two bodies in the trunk

G: Didn't I?

C: Who's in the trunk Gio?

Clark stops diggin

G: I already told you I don't fucking know

C: Did you even check the trunk

G: Of course, but the poor bastards are done in bad

C: Of course

G: What did you arrange with Franco?

C: He told me to meet with you, do this one last task

Clark Begins Digging

C: And I'll be free

G: Did you tell Salvatore

C: He wasn't in the garage

G: What about Benito

C: It's none of his concern

G: He might think differently

C: Do you

G: No
     I'm happy for you cousin

Lightning Strikes nearby, the clearing is lit briefly. Clark and Gio pause and face each other
Rain Pours

C: A fucking mess

G: We were never going to beat it

C: Just Dig

Clark begins digging. The dirt is now turning to mud, the crunch of digging has turned to a squelch

G: I feel fuzzy

C: You're cold

G: No I mean my insides
     I feel like I'm expanding

C: You stopped digging

G: Oh Right

Gio begins digging very slowly

G: I'm sorry cousin

C: What for

G: You've been trapped with us for so long
     We've had good times, sure
     Now that I think about it, you must have always been miserable
     But we've had some good times
     We've had some good times

Clark Remains Silent

G: You remember that time we broke into Salvatore's Liquor cabinet
     We got plastered in his office

C: Yeah, he was livid with both of us
     He made me clean the garage floor with a toothbrush

G: We were so drunk
     He told Benito and I only heard one sentence from him about it

C: What did Benito tell you

G: "Salvatore should have had a better lock"

C: Fuckin' Benito

G: I know, he let me off easy
     He gave me this look I'll never forget
     His eyes were lit, and his smile
     Malicious

C: If it had been his liquor
     He would've had both our heads 

G: He's a cutthroat motherfucker

C: Franco thinks so

G: He said that

C: It's why he's letting me go

G: Because of Benito

C: Because of a lot of things
     He considers neither Benito nor Salvatore as his own
     And his Wife

G: What's he got against Estelle

C: His words were:
     The Seed of my tree of troubles is that Bitch of a wife I'm tied to
     In hell, may she be skinned
     Her rubber hide stretched over the drums that demons beat
     as Odin's Crows pick apart her rancid meat

G: The Fuck
     Estelle was his rock. He wouldn't have his empire without her

C: I know. 
     He didn't want this life
     Did it for the sake of his family

G: but now he hates his family

C: Doesn't think it is his family
     Said Gabriel was the last of his family.

G: And what do you think?

C: It's not my family
     Never was by blood

G: It's mine
     All by Blood
     Benito and Florence
     Franco and Estelle
     Salvatore

C: Not how you think it is

G: Explain

C: Benito is your father
     Your mother though is unknown

G: Florence is my mother

C: Franco pulled your DNA and had it tested
     She is not your mother
     Benito and Florence have been lying all this time

Gio stops Digging

G: What the fuck are you trying to prove

Clark stops digging

C: Who is in the trunk Gio

G: I told you
     I told you I don't know

C: Bullshit

G: What does it matter

C: Because I know who is in the trunk

Silence. Thunderous clap.

G: DO you

C: Do YOU

In a panic, Gio wrestles a pistol out from the waistline of his pants. 
Clark knocks the gun out of hand, with his shovel, and swings again at Gio, hitting him in the head
Gio stumbles into the side of the hole's wall, Clark seizes his hair, kicks the back of his kneecap bringing him down to the mud

C: Who did you put in the trunk, Gio

G: Fuck you cousin

Clark shoves Gio's head into the puddling mud in the bottom of the hole for several seconds before pulling his head out.

C: Just own up to it

G: You can't kill me I'm family

C: WHO DID YOU PUT IN THE FUCKING TRUNK

G: When Benito finds out, you're a dead man.

Clark shoves his head into the mud once more, for a bit longer than before.
Gio Coughs as he emerges from the mud

C: Franco's letting me go
     He knows what you are, what you all are
     Mixed breeds
     You, Benito, Salvatore
     He told me what you came out here to do
     He told me what Benito told you to do
     And you won't admit to it

G: It's Salvatore!
     In the trunk.

C: It's too late, Gio. 
     And Salvatore isn't the only one in there

G: Yes he is!

C: False.
     You're laying right next to him.

G: But

Clark shoves Gio's head into the mud, this time for a long time. 
Gio goes still.
Clark stands up
With a roar he kicks down into Gio's body until he is out of breath.
The rain is pouring with a lulling roll of thunder throughout:

Clark digs into Gio's pockets pulling out his wallet and the keys to the car.
He climbs out of the hole, walking fast to the trunk which he opens with a key.
There is a buzzing from the trunk light.
A few grunts of strain are heard from Clark, pulling a body of dead weight out of the trunk and letting it plop to the ground.
Again a few grunts as a second body is removed, plopping to the ground.
Clark drags one body to the hole, pushing it over the edge and onto the half submerged body of Gio.
He returns to the second body and drags it to the hole. Pushing it in.
With a shovel, Clark pushes the mound of now muddy dirt over the bodies, sloppily. 
When the hole is covered Clark tries to catch his breath.
The buzz from the trunk's light continues to saturate the scene.
Clark takes a deep breath as he walks back to the car. He tosses the shovel into the trunk and closes the lid.
The buzz stops.
He opens the driver side door and gets in.
When he turns the key, the uproar of laughter from the comedy bit continues where it was last cut off.
Clark shuts off the radio and starts the engine.
Slowly, he pulls out onto the gravel road and drives away.

Fade to Black.